Cinema Monolith

Reviews of movies from my giant DVD tower, and more.

The Boy Who Cried Werewolf

The Boy Who Cried Werewolf - posterCinema Monolith: 3/10 Film ReelThis movie was watched on Svengoolie!
IMDb: 5.2/10
Leonard Maltin’s Movie Guide: ** out of 4

Released on August 1, 1973
Rated PG
93 minutes

Directed by Nathan Juran

Written by Bob Homel

Cast: Kerwin Mathews, Elaine Devry, Scott Sealey, George Gaynes, Robert J. Wilkie, Susan Foster, Jack Lucas, Bob Homel, Loretta Temple, Dave Cass, Harold Goodwin, Tim Haldeman, Eric Gordon, Paul Baxley

Earlier this week, while trying to decide which horror movie I wanted to watch on Halloween night, I asked myself a question: What was the first horror movie I ever saw at a theater? Looking back, I realized my early childhood was dominated by Disney films, so I skipped forward to the 1970s, where my cinema choices became a little more bold: there was Jaws in 1975 and Battle for the Planet of the Apes at the drive-in in 1973, but to me neither of those qualified as true horror films. I then recalled a double feature I saw in the summer of ’73 and had my answer: before watching the snake transformation chiller Sssssss, my first movie that long-ago afternoon was The Boy Who Cried Werewolf.

The story involves a young boy on a camping trip with his recently-divorced father, who are attacked by a werewolf during an evening hike in the woods. The father is bitten during the scuffle, and of course is now saddled with the curse; the kid finally puts two and two together and realizes it’s his dad who’s the snarling, bipedal wolf-beast responsible for a rash of local killings. And like the ancient fable the film takes its title from, nobody believes the boy—not the sheriff, not his mother, and not the young couple camping nearby—when he tells them his father is a werewolf. What’s funny is, his father grappled with that first werewolf face-to-face for several minutes, and even he doesn’t believe him!

I must admit, considering the subject matter, that this was a lot less chilling—and less fun—than I would’ve expected. Director Nathan Juran, who did a decent job years earlier with 20 Million Miles to Earth, here seemed disinterested with the whole project, and didn’t do much with Bob Homel’s first and only screenplay. And the mistakes! Boom mike shadows, crew shadows, completely-unconvincing day-for-night shots, lapses in logic…did Juran consider the material beneath him, after years of television work, and not worth his time and energy? Was he shackled by a thrifty budget and a tight shooting schedule? Either way, this should’ve had more going for it than a lot of marital strife, hippies, and repeated chases through darkened woods.

On the other hand, this film had three solid moments that I have to give serious kudos to. The first was the attack by the werewolf on an RV trailer, with that young couple I’d mentioned earlier trapped inside; a truly harrowing experience that resulted in one of the two being beheaded, for chrissake. The second involved the father—in werewolf form and holding his son prisoner—surrounded by armed police and angry townsfolk; realizing his death is imminent, he bites his son on the arm! I couldn’t believe this Dao-like moment of kinship…he was passing his curse onto his son! And third…what exactly was in that head-shaped satchel the father was burying in the cabin’s storage shed, and the son was hoping to dig up?

Perhaps this is why The Boy Who Cried Werewolf was never released to home video: it takes more than three cool scenes, a campy title, and the novelty of having a werewolf dressed in camping duds (and sporting a makeup job resembling the family dog from The Brady Bunch) to make it worth anyone’s while. I’m sure I enjoyed this back when I was ten, but since that time I’ve seen many werewolf movies that I thought were more entertaining, and unfortunately none that I would consider worse. So on that note, I ask that you please take heed: those who didn’t believe…are dead!  (3/10)

The Boy Who Cried Werewolf - photo

10 comments on “The Boy Who Cried Werewolf

  1. grandrapidsgirl

    So if it was never released to home video, are you reviewing it from memory or do you have it on disk or did you see it recently? These minor details are critical! And I’ll be sure to take a pass if I ever run across this however it might come about! Boo!


    • Todd Benefiel

      Good question! I found it on-line, as part of some screwy Elvira-like horror show…the show was horrible, far worse than the movie, and the print of the film was a mess! So yes, I did watch it this past week, and fast-forwarded through the breaks for the horror show parts.

      It’s too bad a disc doesn’t exist with both Sssssss and The Boy Who Cried Werewolf on it, with lots of bonus features…how cool would THAT be! And by the way…BOO!


  2. Stu

    Well, at a paltry 3/10 (for those three moments of note?) I think I’ll be giving this a miss, but I enjoyed reading. The werewolf looks like Chewbacca to me…maybe George Lucas saw it and got the idea?


    • Todd Benefiel

      If Chewbacca wore a black turtleneck and a leather jacket, yes, I can see the resemblance! And don’t worry, I won’t constantly harass you about watching this one…I won’t be watching it again either, even if I do find a crisp widescreen print.


      • Stu

        I’ve heard he does, on his days off.


      • Todd Benefiel

        You mean, on the days off where he decapitates women in RV trailers? I bet you didn’t see THAT in the Star Wars Holiday Special!


      • Stu

        They must have cut that bit out. Or as Chewbacca would say: ‘They must have cut that bit out.’


      • Todd Benefiel

        It’s too bad they didn’t cut the Bea Arthur bits out, too. And the Diahann Carroll bits, and the Lumpy bits, and the Jefferson Starship bits, and the…


  3. I recently caught this one on Svengoolie on MeTV. I liked it more than you did but I really like werewolves. The set up of the story with the boy a child of divorce lends itself to all sorts of possible metaphors and I think that aspect of it works in any case. I found you here because I had the thought that it lends itself to the change in the relationship with the father. Kids of divorce probably often feel that dad has to be cast in the role of monster and with the monster as a werewolf it involves transformation, traumatic change.


    • Todd B

      I watched that same Svengoolie episode…it was nice to see a better print of the film than the one I watched on-line a few years ago. I remember the psychiatrist in the film discussing that same ‘father as monster’ divorce topic, which is an interesting topic/metaphor to find in a cheap horror film. I always have a hard time noticing metaphors in movies, of any kind…I’m usually attuned to the surface-level situations, and normally don’t venture any deeper than that. And how about this: what would a sequel have been like, where the kid and his mother have to deal with his werewolf transformations and tendencies?


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