Cinema Monolith

Reviews of movies from my giant DVD tower, and more.


quicksand-poster-fix-dark-cropCinema Monolith: 7/10
IMDb: 6.6/10
Leonard Maltin’s Movie Guide: **½ out of 4

Released on March 24, 1950
Not rated
79 minutes

Directed by Irving Pichel

Written by Robert Smith

Cast: Mickey Rooney, Jeanne Cagney, Barbara Bates, Peter Lorre, Taylor Holmes, Art Smith, Walley Cassell, Richard Lane, Jimmy Dodd, Minerva Urecal, Jack Elam, Ray Teal, Irving Pichel (voice), Red Nichols and His Five Pennies

In the aptly-titled Quicksand, Mickey Rooney leaves the safety and sunshine of the Andy Hardy series by the wayside and enters the dark world of film noir, where he soon finds himself trapped in a downward spiral of blackmail, kidnapping, robbery, murder, and of course, a no-good double-crossing dame. This little-known budget crime drama goes against the odds and really delivers some quality goods; if you’ve ever wanted to see a guy make every wrong decision in the book, and do so at an alarming rate, then you’ve come to the right place with this one, which scores an impressive 9 out of 10 on my Ten Rules of Film Noir scale.

Rooney stars as Dan Brady, a clean-cut auto mechanic working hard to make a buck, who quickly discovers that picking up hot blondes in diners is not the smartest thing for a guy to do, especially if you’re short on cash and your date is hungry for a mink coat. Eager for their night out, he borrows twenty dollars from the automotive shop’s cash register, intending to pay it back the next day…but things go south from there, and he sinks deeper and deeper into debt, and trouble. When he resorts to robbing a drunk in front of witnesses, the police become involved, and then Peter Lorre’s shifty penny arcade owner wanders into the mix, demanding payment from Rooney in exchange for his silence.

And from there, he sinks even deeper into the muck, and in typical noir fashion he soon finds himself trapped, unable to escape. And through it all you keep waiting—and hoping—for this dope to just stop, and turn himself in, but circumstance and stupidity are constantly working against him. And for me, that’s what made Quicksand so much fun, and such a draw as a noir film: watching one man stumble hopelessly into situations that were well over his head and beyond his grasp, and how every single move he made ended up being for the worse, creating a domino effect that ruined him at every turn.

The film’s director, Irving Pichel was no stranger to noir, having helmed They Won’t Believe Me a few years earlier; though I can’t say his camerawork was all that noir-influenced, the desperate atmosphere and sense of doom he created for the story definitely were, and his nighttime location work at the Ocean Park Pier amusement park in Santa Monica was a big plus. Robert Smith, who wrote the screenplay, contributed some sharp touches as well; I’d assumed this was his first go-around with the style, but I discovered he’d already penned some excellent noir films in the recent past, including 99 River Street, Sudden Fear, and I Walk Alone.

This is what I love about noir films, and why I’m such fan: no matter if they’re top of the line or low-end, they always have something to offer that will hold my interest, whether it be tough acting, cool dialogue, slick visuals, or bygone locations. Here, it was seeing Rooney in something besides a lighthearted comedy or romance, and handling it quite well; you also had some nice, oily work from Lorre in a small but important role, and James Cagney’s sister as the femme fatale who sinks her teeth into Rooney’s hero chump. This was a fast, efficient noir that pulled no punches, and offered this valuable life lesson: never dump the pretty girl-next-door who loves you for the seductive tramp with dollar signs in her eyes and danger in her heart.  (7/10)


15 comments on “Quicksand

  1. My goodness they were just children!! And we can still enjoy them today. Fun stuff!


    • Todd B

      Mickey Rooney sure does look a lot younger than the 29-year-old he was when he made this movie! Thanks for stopping by, Julie!


  2. dracula

    At first I was a little confused with the title thinking this is some sort of B horror movie. I guess Mickey kept sinking and made his way to China with all his blunders! Another to add to the watch list which keeps building up these days. Thanks for the review.


    • Todd B

      With my track record of horror movie reviews here at CM, I can see where you’d first think ‘cheap horror film’…but no, this particular quicksand is strictly metaphorical. It’s also available for free on-line, if you ever have 79 spare minutes you need to kill, or are with Little Drac while he sleeps.


  3. Just another example of Mickey’s talent knowing no bounds. This guy could do it all on film. Any genre during his earlier years and pretty much did during his later ones. Lorre always a welcome bonus in any flick.


    • Todd B

      The combination of these two in a film was quite interesting (even though it lasted just a few scenes); also of interest was the fact they co-financed the film together. And if I remember right, Rooney’s follow-up noir, The Strip, is also worth a look.


  4. Got this one lined up for some YT action very soon, hopefully tomorrow. Nice one for the heads up buddy. I’ll be back for a read of of your review when I’ve pulled myself out of this sinking sand with the lucky tree branch that is just in my finger tips!!


  5. You might get a few pings from me today Todd! I watched it last night and have done a post centered around your Ten Rules Of Film Noir. Just reading your review now I take joy that I got the same score on the rating of (7/10) and ticked off 9 from your list. I thoroughly enjoyed the film, Mickey was excellent and Lorre was wonderful and perfectly slimey as always. Thanks for putting me on to it buddy.


    • Todd B

      Hey Mikey, glad you liked it, and glad I could steer you to it! If I think of any more cool ‘little known’ noirs, I’ll let you know. And great job ticking off 9 out of 10 rules…I’m going to have to get serious about finding any that are a perfect 10 out of 10. And thanks again for including me (and my site) in your post!

      Liked by 1 person

      • Yeah you would of thought they would of got in contact with Grizzly Adams to pimp out Gentle Ben guzzling pints of beer. Missed opportunity! 🙂 ….. Yeah there has to be some 10/10 out their.

        They were so close, “spoiler alert if anyone is actually reading this far! hehe”….. I did think the two cops were going to blow him away at the end but they opted for a happy-er ending. Guess he was still going to the slammer for a few years. So maybe it’s a 9.5/10?


      • Todd B

        I guess back then, it would’ve been sacrilege to put a bullet into the head of Andy Hardy, so apparently Mickey Rooney’s Quicksand character gets off with just a warning. We’ll go with a 9.5, BUT…was there a train in that movie? I don’t remember.

        Liked by 1 person

      • No train but his old 1933 Chevy Master could of made up for that! 🙂


      • Todd B

        I’ll let the CM judges make the call on that one!

        Liked by 1 person

  6. Pingback: Quicksand (1950) Mickey Rooney & Cinema Monolith Show Us The Rules Of Film Noir – Wolfmans Cult Film Club

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From the Monolith: 125

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