Cinema Monolith

Reviews of movies from my giant DVD tower, and more.

Yellow Sky

Yellow Sky - poster finalCinema Monolith: 7/10
IMDb: 7.6/10
Leonard Maltin’s Movie Guide: *** out of 4

Released in December, 1948
Not rated
98 minutes

Directed by William A. Wellman

Written by Lamar Trotti, based on a story by W.R. Burnett

Cast: Gregory Peck, Anne Baxter, Richard Widmark, John Russell, Harry Morgan, Robert Arthur, John Kemper, James Barton, Hank Worden, Robert Adler, William Gould, Jay Silverheels

If you’ve ever dreamed of seeing Gregory Peck play a bad guy in a film, then you may want to check out Yellow Sky, a well-made and entertaining Western, more cerebral than action-oriented, that pits Peck and his band of thieves against feisty Anne Baxter and her gold-mining grandfather. And though Peck may not be all that bad (he’s more of a ‘good’ bad guy, along the lines of an Elmore Leonard hero), I’d say he can still stand proudly alongside James Stewart (The Naked Spur), John Wayne (Red River), and especially Henry Fonda (Once Upon a Time in the West) as actors who turn the tables on you by playing characters from the dark side.

Across seventy miles of arid salt flats lies the crumbling ghost town of Yellow Sky, where Peck and his cohorts bravely trek by horse after robbing a bank and making their getaway; dying of thirst, the men collapse in the center of town, but are soon found by a gun-toting Baxter, who lives on a small ranch nearby. From there the story takes off, as Baxter not only has to thwart the advances of Peck (after one such tussle, she nearly takes his head off with a well-placed bullet), but prevent the money-hungry gang from making off with their hidden stash of gold. Will Peck eventually catch Baxter’s eye and redeem himself, or will he fall in with his villainous pals and escape with the loot?

What I loved most about this one was the skilled direction of William Wellman: his camera angles, his framing, and his ability to choose just the right set-up to compliment the scene and story. I haven’t watched many of his films, but those I have I’ve loved: Wings, The Public Enemy, and another great atypical Western, The Ox-Bow Incident. Here Wellman was ably assisted by cinematographer Joseph MacDonald, whose history of noir films gave the proceedings a dusty chiaroscuro tone, which effectively brought out the sharp black-and-white contrasts of open sky, clouds, and desert landscapes. To me, it was exactly how a Western film was supposed to look.

I also enjoyed watching Peck and Baxter at work, as well as antagonist Richard Widmark, fresh off his memorable debut in the noir classic Kiss of Death. I like Peck and Widmark in most anything they do, but Baxter was new to me, and she had a simple style and beauty that had me hooked (and she looked swell in rancher duds, too). The supporting cast of gang members—which included Harry Morgan and John Russell—did just as well, and for me no Western should be considered complete without the presence of Russell, one of the most definitive ‘cowboy-looking’ cowboys you’ll ever see. He really fit the part in this one, and had a menacing attitude to match.

All in all, a decent little Western that did its job and held my attention, whose story was smart, peppered with good dialogue, and showed how a little greed and lust can cut the threads that hold a group of men together, especially when loyalties are in question and tensions are running high. And for those of you who might miss the sight of stagecoaches, flaming arrows, and dance hall girls, I’d say stick around and at least catch this one for its technical aspects, and for the interactions between a group of fine actors being directed by someone who knew what he was doing.   (7/10)

Gregory Peck in Yellow Sky


12 comments on “Yellow Sky

  1. Julie Dunning

    Sounds like a solid Western! And I learned a new word too (“chiaroscuro”). Thank goodness for Google! Thanks for another swell look at a film Todd!


    • Todd Benefiel

      You’re welcome, Julie, and once again thanks for stopping by! I learned about chiaroscuro when I bought a record album with that word as its title years ago, so I figured it was time to put it into use again.

      And to answer the question that you asked elsewhere, Mr. Peck was at that Waldenbooks for a book signing, or an audio book signing, or something of his that he’d done. I was working at Oshman’s that day, and saw the crowd outside the store, and went over to investigate…and there he was, sitting at a table plain as day. It I’d been smart, I would’ve bought whatever it was he was promoting and had him sign it. But, alas, I was nowhere near as bright then as I am now.


  2. This a solid outing. Widmark did a very similar role in The Law and Jake Wade with Robert Taylor. Like you said, I will watch Peck and Widmark in most anything.


    • Todd Benefiel

      Hi Mike! Yeah, I was surprised by this one the first time I saw it, especially because I was fan of Peck and had never heard of it! I seem to remember watching Widmark in Warlock, but I can’t recall if I liked that one or not. Widmark had some neat parts in a handful of noir films as well, and if you ever have the chance, I recommend checking out Night and the City and Panic in the Streets. I’ll keep my eyes peeled for The Law and Jake Wade!


      • Both of those are in the collection and very fine films. Warlock has a great cast and is what was popularly called an “adult” western at the time. I watched Road House with Widmark recently and that’s a good one as well from his Noir period.


      • Todd Benefiel

        I actually own Road House but haven’t watched it yet…I’ll bump it up a few notches on my ‘next to watch’ list!


  3. Rose M P Hamilton

    Who managed the horses in Yellow Sky. The trek across the salt flats was real for the horses because they weren’t acting. Great movie.


    • Todd B

      Hi Rose! I couldn’t find any information on who wrangled the horses during filming, but I did find a note that said, at the time, animal cruelty regulations only allowed the horses to be on set for three hours a day. So I’m assuming they weren’t subjected to too much duress. The actors, on the other hand…


      • Rose M P Hamilton


        Thank you for the reply. No scene in any movie, that has an animal in it, can be re-shot the same way, except maybe for dogs. They mess up a story line because they’re always looking off set at their trainer for directions, so obviously aren’t behaving how someone’s pet actually would.



      • Todd B

        And that’s exactly why the makers of Jaws went with a mechanical shark: they discovered a real shark couldn’t be trained!


      • Rose M P Hamilton

        Todd, There was a real shark in at least of the underwater scenes (a machine couldn’t move like that). In the book the shark was good for Amity’s economy because it attracted even more tourists. Rose


      • Todd B

        Yes indeed, and it’s one of the things I always remember from the film’s short end credits: Live Shark Footage filmed by Ron and Valerie Taylor.


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